A smartly styled pair of andirons, brass, late 19th century, Louis XVI style, torchieres with flame finials.

Romantic still life of flowers and fruit from the late Victorian Grand Tour Period. Although unsigned, this oil on original canvas has two intriguing “R” insignias, on the gold chatelaine and one on the bound book.

A fine, heavy silver on copper tea tray; graceful borders enhanced by floral sprays & florets. Inner bead border. Good vintage condition with no bleeding “Remembrance” by International (Rogers Division).

18th Century ReStrike Print of Bronzes Adorning the Fountain of Daybreak at the Palace of Versailles. Originally created and printed in 1687 by Jacques Houzeau, when the Bronzes were completed.

Circa 1780 Luneville neoclassical reticulated faience basket with typical floral spray central reserve & rose pink edge, the exterior latticework sprinkled with rose & yellow florets. Note the green vine entwined handles & charming leaf on the edge hiding a kiln flaw.

A miniature Luneville faience commode with 2 over 3 drawers, mid-19th Century – for jewelry & trinkets. One drawer edge with restoration.

A massive 19th century pedestal base paperweight, the light vaseline colred weight filled with a spectacular millefiori tree.

Continental tea caddy, c.1780, molded soft paste porcelain. Neoclassical swag decoration, gilt monogram. No cover. Harvey Gunter collection.

A pair of Art Nouveau vases, faux-Royal Vienna. decorated with romantic transfer print reserves. Made in Austria, c.1895-1910.

A pair of cast iron doorstops – lions rampant with shields. Well modelled. A true facing pair. English, c.1870.