Circa 1880 Victorian English countryside painting. A winding road through haystack fields with a couple coming in from work.

1865 lithograph by Eduard Mandel. Raphael’s Madonna della Seggiola. Johann August Eduard Mandel, German, 1810-1882, see National Gallery, etc.

1796 Map of North Carolina by John Reid. A rare & important early map of the state based on the 1795 Lewis/Carey map for his “An American Atlas.”

Chinese Painting on Rice or Pith Paper, mid-19th century Gouache or opaque watercolor. Remarkable details including marble paneled chair & table. Fine condition. Contains wrinkles usual for age.

Late 19th century English watercolor by E. Nevil. A charming village scene. Signed lower left, E. Nevil (Edward Nevil, late 19th century). Not examined out of the antique frame.

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature’s Call to Gratitude.

The Millet Family Home etching by Jean-Charles Millet, 2nd quarter 20th century, French. Jean-Charles Millet (French 1892-1944). Pencil signature lower right, signed in plate lower left, studio blind stamp lower right (J.F. Millet Atelier – his grandfather’s atelier & where Jean Francois Millet died in 1875).

1829 Sampler made by Elizabeth Ann Edmonds in period frame, English. An attractive George IV silk stitched sampler on fine background.

18th to 19th century framed watercolor Coat of Arms of the Company of Merchant Taylors of the City of York. This watercolor coat of arms now in an antique maple frame.

Romantic still life of flowers and fruit from the late Victorian Grand Tour Period. Although unsigned, this oil on original canvas has two intriguing “R” insignias, on the gold chatelaine and one on the bound book.