Romantic still life of flowers and fruit from the late Victorian Grand Tour Period. Although unsigned, this oil on original canvas has two intriguing “R” insignias, on the gold chatelaine and one on the bound book.

18th Century ReStrike Print of Bronzes Adorning the Fountain of Daybreak at the Palace of Versailles. Originally created and printed in 1687 by Jacques Houzeau, when the Bronzes were completed.

Circa 1780 Luneville neoclassical reticulated faience basket with typical floral spray central reserve & rose pink edge, the exterior latticework sprinkled with rose & yellow florets. Note the green vine entwined handles & charming leaf on the edge hiding a kiln flaw.

A miniature Luneville faience commode with 2 over 3 drawers, mid-19th Century – for jewelry & trinkets. One drawer edge with restoration.

A massive 19th century pedestal base paperweight, the light vaseline colred weight filled with a spectacular millefiori tree.

A pair of Art Nouveau vases, faux-Royal Vienna. decorated with romantic transfer print reserves. Made in Austria, c.1895-1910.

Late 19th century woven double shape basket, American. Superbly made. Note the exceptional woven design around the handle drops.

Mid-18th century Georgian dresser base, English, breakfront form. Wonderful mellow oak. Four reeded quarter column corners, flanking the two end cabinets, centered by a rank of 3 drawers. Raised on shaped ogee bracket feet. Original rococo well cast bail & rosette pulls.

Circa 1930s 3-light wall sconce, silver on copper, English. Featuring the Imperial crown & supporters of Great Britain with pseudo sterling hallmarks. 13 1/2″ w., 8.75″ d. Backplate is 12.5″ h., 7.5″ w.

Early 19th century Regency cut glass fruit or syllabub bowl, Irish. Stemmed form. The bottom wear suggests a ladle in frequent use. The clarity is typical of Waterford. Handblown & cut. A few tiny design nicks.