Circa 1930s 3-light wall sconce, silver on copper, English. Featuring the Imperial crown & supporters of Great Britain with pseudo sterling hallmarks. 13 1/2″ w., 8.75″ d. Backplate is 12.5″ h., 7.5″ w.

Early 19th century Regency cut glass fruit or syllabub bowl, Irish. Stemmed form. The bottom wear suggests a ladle in frequent use. The clarity is typical of Waterford. Handblown & cut. A few tiny design nicks.

Demitasse coffee set, 2nd quarter 20th century, Czechoslovakia. Comprised of the pot, creamer, covered sugar and 2 cups (1 with tiny chip on rim) and 5 saucers. Maker’s mark & “Czecho Slovakia”.

1957 Finnish blue grey “Usva” art glass vase by Kaj Franck. Made for Nuutajärvi Notsjö, Urjala. Franck was art director from 1950-1976.

Circa 1900 Set of 4 Dining Chairs, Colonial Revival, Philadelphia form. All sides; mahogany. Richly developed with Gothic influenced back splats, cabriole legs with ball & claw feet, carved kneed & shell carved apron.

Circa 1900 American brilliant cut glass footed rose bowl or toddy bowl. Unusually large for a stunning bouquet or as a toddy bowl.

A fine c. 1765 Toastmaster’s wine glass with deceptive bowl bottom. Round pointed funnel. Flat base, Multiple width spiral threads (lace twist outlined).

An elegant little dessert/jelly glass, English. Mid-18th century of open cup form on simple stem with folded foot. The molded, slightly spiraled ribbing is superb.

Toastmaster’s wine glass, c. 1765, of round pointed funnel form on opaque twist stem & heavy base, English. Note the bottom of the bowl is deceptive. The single wide & multiple thin spiral threads are exceptional.

An early 19th century tall goblet, “Sunderland Bridge” engraving. Includes potteries & kilns to each side. The Sunderland Road Bridge in 1796 was an immediate national sensation and tourist mecca.